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Board:Trinity College London
Syllabus:Cello 2016-2019
Grade:7

Three pieces are to be played, at least one from each group, to form a balanced programme. Instead of one item, candidates may offer their own composition.

Pieces (select one from each list)

Group AAvailable In
1. Arioso
J S Bach
2. Concerto in C minor, 2nd movt: Adagio molto espressivo
J C Bach
3. Suite no. 2 in D minor BWV 1008, 4th movt: Sarabande
J S Bach
4. Habanera
Bizet
5. Prière from Suite Gothique op. 25 no. 3
Boëllmann ed. Gledhill
6. Serenade
Bridge
7. Sérénade
Cassadó
8. I’ll Bid My Heart Be Still
Clarke
9. Salut d'Amour, op. 12
Elgar
10. Après un Rêve, transc. Casals
Fauré
11. Sicilienne op. 78
Fauré
12. Sarabande from the Holberg Suite
Grieg
13. Vocalise op. 34 no. 14
Rachmaninov
14. Pièce en forme de Habanera
Ravel
15. Melodie op. 3 no. 1
Rubenstein
16. Le cygne (The Swan)
Saint-Saëns
17. 3 Romanzen op. 94: no. 2 Einfach, innig
Schumann ed. Gledhill
18. Nocturne op. 19 no. 4
Tchaikovsky
Group BAvailable In
1. Impromptu
Arutiunian
2. Suite no. 2 in D minor BWV 1008, Gigue
J S Bach
3. Suite no. 3 in C major BWV 1009, Bourrées I and II
J S Bach
4. Sonata no. 2 in G minor op. 5 no. 2, 1st movt: Allegro molto più tosto presto
Beethoven
5. Ave Maria
Caccini ed. J Lloyd Webber
6. Rigaudon
Daquin
7. Sonata in G minor, 1st movt: Largo and 2nd movt: Corrente
Eccles arr. Lipkin
8. Saltarello
Enescu
9. Study no. 5, Scherzo
Kabalevsky
10. Concertino in C op. 7, 2nd movt: Andante
Klengel
11. Golubchik, no. 2
Maconchy
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12. Gavotte des moutons
Martini
13. Sailing Down the River
Minsky
14. Gavotte op. 67 no. 2
Popper
15. Gavotte op. posth.
Saint-Saëns
16. Tarantella
Squire
17. Sonata no. 6 in Bb RV 46, 3rd movt: Largo and 4th movt: Allegro
Vivaldi
Orchestral extractsAvailable In
1. Sinfonie Nr. 7 [1. Satz], page 16 (entire extract)
Bruckner
1. Schwanensee [2. Akt, Nr. 13], page 57 (beginning of extract to 1st note of bar 97)
Tschaikowsky
2. Sinfonie Nr. 2 [2. Satz], page 16 (entire extract)
Brahms
2. Sinfonie Nr. 6 [2. Satz], page 30 (bar 1 to 1st note of bar 15)
Tschaikowsky
3. Die Hochzeit des Figaro [Ouvertüre], page 20 (entire extract)
Mozart
3. Don Juan, page 23 (beginning of extract to first note of 6th line)
Strauss
Also RecommendedAvailable In
1. Scales, Arpeggios & Studies
2. Sight Reading
3. Aural Tests